Rachel Eliza Griffiths
Griffiths is a multi-media artist, poet, and writer. She is the author of four collections of poetry including Miracle Arrhythmia, The Requited Distance, Mule & Pear and Lighting the Shadow, which was a finalist for the 2015 Balcones Poetry Prize and the 2016 Phillis Wheatley Book Award in Poetry. Her visual and literary work has widely appeared, including The New Yorker, The Paris Review, Los Angeles Review of Books, and Tin House. Her forthcoming collection of poetry, Seeing the Body (W.W. Norton), will be published in 2020.
Griffiths lives in New York.
http://www.rachelelizagriffiths.com
Quartet, for Romy
“They rented a house from my grandfather.”
They came & danced when they knew
We were watching. Their clothes stained
By the dreams they clenched
Between their teeth. They chewed
Those old dreams all day & night
While they sat staring out of
The windows my grandfather built
When his hands didn’t use to shake.
They owned themselves so our house
Was like some kind of understanding
They allowed themselves to borrow.
They worked under their skin
With tools we all had names for:
Hope, Grace, & the Honest-to-God’s
Truth. They would sit out on the porch
& drink like the sea, which their people
had crossed in ugly ships years ago.
They played cards, fought like dice
Tumbling in the palm of a serious
Gamble. How long they would be there
Was always a question. There was a contract
Between their hands & eyes. There
Was what the field told them & how much
Work would be around for them to pay
My grandfather on the first of the month.
Not like other folk, I tell you they owned
Themselves with no souls on layaway, no
Church stronger than the steeple blazing
From the ribs of their sun-bruised chests.
They laughed with my grandfather
& saw the fields, the big house, the butterflies
That would follow their children’s
Shadows. They could see the way
My grandfather held my hand
When we came calling on them
Because we liked how good
Their eyes looked when they dressed
Themselves up. They knew what
They had: the right to do whatever
They wanted with their beauty,
Which was something
They never had to work at. Being black
Wasn’t about somebody renting
Their bones, their hands, their dancing.
Being black as my grandfather & me,
We all could look up together
At the dripping throne of blue
Sky & remember where
We, flying & hollering,
had first lived & loved
each other in our freedom.
“When I was old enough
I found out what Liza’s
mother did for a living.”
She rubbed stars from the throats
between men’s minds & deaths. Her own
mind? She kept that black universe to herself
while she watched the world wrap its longing
around the rim of her headboard. The spring
of metal singing inside her grandma’s mattress
where men laid their lives across her
hips & wept until they saw their god rise
up from the night sea, with crying babies
in the arms of the blue air. All salt,
sweat, all sugar, all the walls between
the living & the beatdowns became blades
blown across the field of her mud
brown skin. Yes, skin so old & new
the sun rose & fell in marvel. I, too,
became one of her children. Liza
went off to school on the dimes,
the dull dollars her mother stacked
inside the visions she had. Liza
would be a lady. Mama would be
a god. Her head wrapped in moons
as she & her believers waited
for the sun to look away.
Sometimes she was tired, bored.
Sometimes Liza’s mama said,
“Y’all getting on my nerves
on my day off.” We didn’t know
whether she meant our eyes
or hers. We saw how the world
watched her hips, the boat of her
mouth pressed against the sweet
prayer of her tongue. Kiss of light. Liza’s
mother was sweet like the knife
she carried inside her skin. I never
knew there were other ways to live
until I found myself missing
the way I’d once heard her greet a man
at dusk. I’m trying to tell you
that Liza said her mother could
make a man out of Mecklenberg dust & vice
versa. In Liza’s mother’s garden grew
a free image of the world, of
a woman living in the sheets
of a glory she washed by herself.
When the sun rose on those
thighs the walls of the house
shimmered while Liza’s mother
& her lover rose from the night,
trembling & pleasured, out of
her wide moonlit sea.
She had five children –
all boys.
1
when he said my name my name
became a fist he drew my name
into his mouth my name lived
on his tongue until he had to
eat another woman’s name
i was never enough
of a name or a fist i was never enough
of a blue or a guitar i wasn’t
a knife at his throat but
i kept trying
after he left
to ball my love
into a fist & use it against someone
i used to love – myself –
but breaking
mirrors i’ve been told all my life
is bad luck
2
i believed him five times five
five names five pair of hands
& five pair of feet kicking & pulling me
from inside i believed
he would come back after me
begging crawling thirsting
for me because hadn’t he
always licked the plate
clean when i put it on
the table & because i’d given in,
given him five boys –
they were mine to be sure
but i was willing to share
their eyes & lips their way
of boy-murmuring as they
dreamt
3
you learned very early on that
either side of the street
could be sunny or blue
& you learned that men could be streets
or sunlight or blues if you weren’t used
to squinting at them before you held on
to the sweet promises that they knew
where the gold inside you was hidden
gold you already knew you made
by yourself because it was the same
gold your grandmama had forced
into your mouth told you to swallow
before her hands
went still on the blue quilt
4
five boys in central park
four girls in birmingham
one boy at that lorraine motel
another boy at the audubon ballroom
a son getting out of his car in mississippi
what will they do what they think
they going to do to my five
if i don’t arm them with color
& gods? what they going to watch
& who they going to watch
when my children go dreaming
along a sunny street & forget
that there are bullets waiting
to high-five their brains
with sleep
5
i love their fists their cries i
love their appetites when they are hungry
i love their shame their pride their brown
eyes blinking away the world when they come
back to my house & i say they can leave
the world be for a while
because they need to
i got a boy who is a painter romy
be painting the blues
but we be laughing hard & dancing anyway
i got a boy who say he is going to be
the 44th president because he had a dream & hit
his number 400 years ago i got a boy
who say he training to be
a butterfly-bee-stinging boxer
i got a boy who say he is
going to be trouble
another one of my boys say
he a poet & going to blow up
america & then his brother
who is going to marry
the love of his life named liza
tells him to shut up
calls him fool
but i am listening
to my son’s anger
as he puts his rage away
kissing me hello mama
how you been feeling
once i was their world & still am & i
held them boys like the sea
holding her own honest rage the waves
holding peace & rainbows too
i tell you i love i got a boy
for each of the fingers of my hand
i tell you i got twenty-five fingers & toes now
& once i was a fist & a name for a man
who wanted me to be lonely & hungry
all the time until he made up his mind
to return but that man
was always returning until he wasn’t
& now should that man come
through my door of birth
with the key i gave him long ago
that man will find my five fists
waiting & waving hello
“Everything they said a conjur
woman could do I believed.”
First, a conjur woman could fly. So I believed that.
Except that a conjur woman didn’t have a beginning.
Neither did she have an end. Maybe there was a middle
somewhere in the magic she kept under her fingernails
& inside her upper lip. Maybe her name was Pilate
or Corregidora. Maybe her name was Toni, Aunt Esther,
Aretha, or Celestial. Maybe a conjur woman was
a nameless color that rushed through my mind
when I looked up through magnolia that sighed
as she closed her legs. I’ve seen a conjur woman
force the sky to snow because she might be feeling
like you hadn’t listened to her the first damn time.
They said she could make babies & take them back.
They said she could make other women live forever
if she felt like it. They said that when a conjur woman
went to Sunday service Jesus got down from that cross
& sat down in the back row, weeping her blood,
praying for forgiveness. They said a conjur woman was
your worst enemy because she could give you
exactly what you wanted. I could never spy
on these women because they had eyes inside of
my skin. Sometimes I have felt a conjur woman blinking
in my dreams, sharing the message, the meaning of
a white bird or green snake. The conjuring of these
women is a dazzle of grammar & body. They put on
a shape & take it off like a too-tight girdle.
I’ve seen a conjur woman touch the knife
my mother held against my daddy’s throat
when they fought about where the rent
money had been spent. You ever seen
a conjur woman put her own blood in the painting
of leaves in autumn? They said these women love blood
best. They said all the blood in this world & beyond
is trying to get back into the conjur woman’s
secret, second heart.
I stand at the bank & watch a conjur
woman save the river from its own foolishness.
I stand in the field & watch a conjur woman laugh
at the crow’s vanity as it plucks golden stalks for seeds.
Once I stood on the roof of Mecklenberg County itself
& folded my wings. “Baby, I gave you those long time ago,” a voice said. Then we are laughing together
because, below us, we spied the little Bearden boy
with his blue hands & wide smile. His eyes singing sky.
“He the only one who going to remember the most,”
I said. Then the conjur woman nodded at me & flew
away. You never heard the laughter of a conjur
woman? All you got to do is open your mouth.